Day #15

Intervisible: Mutually visible; each in sight of the other

Sister: A female who has the same parents with another person or who has one of them only

Accuser: One who accuses one who brings a charge of crime or fault

—–

‘So I put it to you Goodie Western, that you are a witch. A bride of Lucifer and weaver of sinister spells. The punishment for which, of course, is death.’

The Hunter raises his staff to the judge and takes a seat, thin wooden legs splaying under his weight, then slings an arm lazily onto the table before him. The cuffs of his jacket are an off white, greasy.

‘Yes, thank you Mr. Lancaster, your testimony has been noted.’

The Judge, old, chipped from wood and mossy. Hunched into the uncomfortable high chair behind the dais. It’s the law. He coughs gruffly, some kind of chest cold or some such. He begins speaking in reedy tones,

‘Goodie Western, your accuser stands before you, your contentions are intervisible betwixt you, and it is by the grace of God that I am required to hear your testimony – now in this court of fair and just law.’

The silence is thick, muggy, rife with peasants trying to work out what the word ‘intervisible’ means.

‘She’s a witch!’ calls a voice from the back of the room. The Judge roars to life instantly, a hawk grabbing a fish,

‘Silence! Silence Mr Robertson – Apprentice Tanner,’ he spits the words vilely, ‘remove him now!’

Mr Robertson, apprentice tanner, is removed from the room. A twinkle grins in The Hunter’s eye. It’s almost too easy. As she stands, the woman’s chains remind him of falling coins.

‘You may begin, Goodie Western,’ says The Judge, magnanimous once more, composed and gnarled as bark. The old woman nods, the folds of her skin scrunched up like paper and almost translucent.

‘I see here before me,’ her delivery is loud and crisp, intoxicating in its subliminal ferocity, ‘friends. And good people, but I don’t see no family. And why’s that? Because my sister is dead. And I stand here before you all, accused of her murder through witchcraft. You all knew her condition then. You all know me now. It were my medicines that made her better, you all know that.’ The old woman pauses, casts a bruised eye over the small crowd. ‘Goodie Meadows, who was it what delivered your three chillen?’

Goodie Meadows feels the heat of a dozen pairs of eyes boring into her, iron pokers, she shudders in her soul. Without saying a word, she nods. Several more white heads bob up and down of their own volition. Lot of chillen in this town here today because of Goodie Western. Lot of women too, come to think of it.

‘And what do we know about this man here?’ Goodie Western points at The Hunter, the glint in his eye slightly smaller, shrinking. ‘This man, who appears from nowhere last week, days before my sister was murdered, yes murdered! This man who calls himself a hunter of witches and decries me as a sibling killer and a bride of lucifer! Where were you that night Sir? Where were you?’

She spits on the ground, there’s blood in it. It was a rough night.

A single bead of sweat rolls down The Hunter’s temple, the glint in his eye just a flicker. The old woman is good, very good…but he’d come across better.

‘Mr Lancaster?’ says The Judge.

Tidying his cuffs, The Hunter stands, clears his throat and begins to speak, greasy fingers leaving their marks.

Day #11

Panade: A dagger

Pericardium: The double baglike fold of serous membrane that encloses the heart

Cerebrifugal: The nerve fibers that go from the brain to the spinal cord and so transfer cerebral impulses; centrifugal impressions outwards

—–

You are a spasm on the face of the night; silently lithe, an oil slick seeping amongst rocks, ready to smother the wings of any birds you may encounter.

The guard’s cigarette burns brilliantly, a satirical star. You imagine the smoke curling in his lungs like old receipts in the bottom of a paper bag. A slow death. The light recedes, migrating, burning down until his lips are dully illuminated. You make sure the blood that spills from his lips extinguishes the nub. A gurgle of claret, a gushing waterfall, thick, sticky iron-rich plasma oozing like ketchup. You are the vampire bat; you are metal of fang.

Quick feet, a cat’s paws, every step a gracefully uncoiling spring. You ignore the paintings that hang from the walls, faces from history flashing past. You wonder if they approve of your task. They can’t judge you now. You melt into the shadows as two sets of footsteps stomp past. Right on time.

You know the floor plan; you know the number of steps on any given staircase; you know precisely where to stand in his room so that the silvery crescent of moonlight that slips between his curtains won’t fall on so much as a little toe.

Steady breaths, one staircase, then another, twisting, turning. You are Theseus pursuing the Minotaur, unspooling a reel of memorized directions.

Beneath the thin woolen mask that covers your face, beads of sweat start to form. You’re getting hot. You’re getting closer. You run over the plan once again…

Slip past the guards, removing their lives if necessary (you wonder whether any life is necessary, you chalk it up to collateral damage, you chalk it up to fun). Infiltrate his room, approach his bed then unsheathe your metal fang; the thin sliver of the panade, beautiful and deadly, a lone truth amongst the encroaching dark. You will slip the blade quickly into his pericardium – splitting the muscle in two. Then you will hold your hand over his mouth until the very last cerebrifugal pulse has faded from the spinal cord…

You’re standing outside his door, thick and wooden, a gloriously textured oak. The varnish stings your nostrils and your eyes spill a sudden film of tears that you quickly blink away.

You slip inside, an undetectable insect. Heavy breaths roll in like fog. You imagine the heady thud of your heartbeat acts like a bat’s squeals, your target caught amongst a net of sounds bouncing in the night.

Sleeping flags hang limply, the verdant reds, whites and blacks now a muted slurry of burgundy and grey, their iconography familiar, repellant.

You stand over his bed, his lumpy form already silent as a corpse, stiller than you expected. You unsheathe the panade and stab, stab, stab, stab, stab – all decorum consumed by a sudden intoxicating miasma. He doesn’t bleed at all…

And then, it is done.

Panting, you wipe a fleck of spittle from your lips, ‘Auf Wiedersehen Mein Fuhrer…’

You feel the cold, hard cigarette butt of a gun press into your back. You realize that, of course, he would have bled. Everyone bleeds. Even you. The gun dully illuminates and you melt into the shadows.